Technology - On-Star, A Necessary Car Safety Feature :: Exploratory Essays Research Papers

On-Star: A Necessary Car Safety Feature Finally, after waiting for three years, my car broke down. I bought a '76 Geo Prizm thinking that it wouldn't be bad to have during High School. A car would be a perfect gift for graduation. Well, because I was going to college, I needed something that would keep me safe and last me for more than three years. In addition, I locked my keys in my car all of the time, and I needed a car with a code on the outside of it so I can receive my keys without calling a cop. I decided to ask my father what type of vehicle I should get. He told me that the most popular type of cars are the ones that are sponsored by On-Star. According to him, On-Star helps in many different ways. Therefore, knowing this, we started our venture to find the perfect car. We went to a couple of car dealerships in Grand Junction, but none of the cars that were offered satisfied me. So, my dad and I planned a trip to Denver to widen my choices. When we first drove into Denver, there were so many car dealerships to choose from. We just started going to them one by one. Finally, after a good four hours, we found the car. This car was the perfect one for me. It was a silver, 2003 Pontiac Grand Prix. My dad wouldn't let me get anything that didn't support On-Star, so that helped lower my options. Both of us were very pleased with my decision. I insisted on having him drive back home, without me behind. I wanted to venture off on my own. I wanted to go visit my friends in Lakewood. I told him I would be back by noon the next day. At first, he was hesitant, but he knew I had On-Star to keep me safe. My dad and I hugged, and said our "See ya later's." We drove in opposite directions, knowing everything was going to be perfectly fine. As I started driving to Emily and Alex's apartment, I started messing with the On-Star button. To my surprise, I heard a voice from the speakers on the roof of the car. She asked if everything was alright. To my embarrassment, I made up a story and told her that I needed directions. Right away, she helped my needs, and told me how to get to their apartment.

Story of an Hour

Theme is the second aspect this paper will go over, which is the overall moral or idea meant to be taken away from the story. The final aspect will be the plot, which is the key points and what the entire story is based upon. Authors use literary tools to express certain feelings and or emotions; this paper will go over the mentioned earner and explain why each stood out. To begin, Kate Chopin uses different types of characters very vaguely in â€Å"The Story of an Hour†. The main character or protagonist is Mrs.. Mallard, while the rest of the characters can be considered antagonists.Though Richards and Josephine may not be considered to have been drawn into conflict with Mrs.. Mallard, they are not the mall characters and thus cannot be classified as the protagonist. The three characters In the story are not considered â€Å"stock† characters, as none of them can be considered a stereotype. All three however are flat characters, no background Is given for any of the t hem and all that is known is Mrs.. Mallard is the wife, Richards is the husbands friend and Josephine is the sister of the main character. Mr..Mallard, who is introduced in the final sentences of the story is very flat and is only used in he story for the development and climax. Each of the characters in the story are meant to be flat, as the story Is very short In length and any more time spent describing one or more of the story would reduce the effect of using flat characters In the first place. The use of flat characters is also important to the theme and plot of the story. Richards is only known as the husbands' friend, if more was known about him, it would result in a different moral to be taken away, and in the case of this work, the moral is meant to be vague and unclear.The same can be said about the elation to the plot, if more time was taken to give background information on each of the characters then the plot would be diluted to the extent of seeming uneventful. Additio nally, the theme and or moral of ‘The Story of an Hour† as In most stories are open to interpretation. The work is far from being an allegorical tale, as no specific or obvious moral is to be taken away from the readings and there are no parallel sequences or symbolic ideas given. The story is more of a microcosm as the entire work is a small world of its own which forces the small problems to be dealt thin the story.Themes that come to mind are that women are strong and able to overcome great costless aspect Pensacola Limitations, or Tanat men are villous In their intentions. Both are supported by the introductory sentence of the story, â€Å"Knowing that Mrs.. Mallard was afflicted with a heart trouble† (Chopin 80). As stated before, the theme relies on the characters descriptions, or lack thereof. If more character development was given then the story could be an allegorical tale, as more would be known of the characters and the reasons why they did everything they did ND why they reacted the way that they did.The theme also relies on the plot of the story to remain vague and only having the crucial events written about. If more detail was given to the events that occurred then again, the theme would be affected and given less of a hazy aspect to the reader. Finally, the plot is a unified plot as the entire story is told within a single day or in the case of â€Å"The Story of an Hour†, within an hour. An episodic plot stretches over days or weeks and is connected by transitional devices (Guy;an 14) and seeing this Tory does not have that characteristic, does not fall under that category.The dramatic structure of the story rises and falls only once and is combined with the climax of the story. The raising occurs within the sentence â€Å"Her fancy was running riot along those days ahead of her† (Chopin 81) and falls when the story is finalized with â€Å"she had died of heart disease-of Joy that kills† (Chopin 82). Th e story does not have moments of crisis, as the entire tale is a â€Å"Moment of crisis† from beginning to end. The plot relates to the characterizations and theme as there are no real leasebacks or foreshadowing.The use of flashbacks would affect the character development as we would have further knowledge of each character, thus resulting in â€Å"round† characters. The use of foreshadowing would result in a glimpse of the future and the motivations of each character which in turn would affect the moral or theme of the story. Throughout the entire work Chopin uses each literary device to perfection. If she had changed any parts of her characterization it would be confusing as to why such care was taken into character development and such vagueness was portrayed in the theme and plot. Story of an Hour Theme is the second aspect this paper will go over, which is the overall moral or idea meant to be taken away from the story. The final aspect will be the plot, which is the key points and what the entire story is based upon. Authors use literary tools to express certain feelings and or emotions; this paper will go over the mentioned earner and explain why each stood out. To begin, Kate Chopin uses different types of characters very vaguely in â€Å"The Story of an Hour†. The main character or protagonist is Mrs.. Mallard, while the rest of the characters can be considered antagonists.Though Richards and Josephine may not be considered to have been drawn into conflict with Mrs.. Mallard, they are not the mall characters and thus cannot be classified as the protagonist. The three characters In the story are not considered â€Å"stock† characters, as none of them can be considered a stereotype. All three however are flat characters, no background Is given for any of the t hem and all that is known is Mrs.. Mallard is the wife, Richards is the husbands friend and Josephine is the sister of the main character. Mr..Mallard, who is introduced in the final sentences of the story is very flat and is only used in he story for the development and climax. Each of the characters in the story are meant to be flat, as the story Is very short In length and any more time spent describing one or more of the story would reduce the effect of using flat characters In the first place. The use of flat characters is also important to the theme and plot of the story. Richards is only known as the husbands' friend, if more was known about him, it would result in a different moral to be taken away, and in the case of this work, the moral is meant to be vague and unclear.The same can be said about the elation to the plot, if more time was taken to give background information on each of the characters then the plot would be diluted to the extent of seeming uneventful. Additio nally, the theme and or moral of ‘The Story of an Hour† as In most stories are open to interpretation. The work is far from being an allegorical tale, as no specific or obvious moral is to be taken away from the readings and there are no parallel sequences or symbolic ideas given. The story is more of a microcosm as the entire work is a small world of its own which forces the small problems to be dealt thin the story.Themes that come to mind are that women are strong and able to overcome great costless aspect Pensacola Limitations, or Tanat men are villous In their intentions. Both are supported by the introductory sentence of the story, â€Å"Knowing that Mrs.. Mallard was afflicted with a heart trouble† (Chopin 80). As stated before, the theme relies on the characters descriptions, or lack thereof. If more character development was given then the story could be an allegorical tale, as more would be known of the characters and the reasons why they did everything they did ND why they reacted the way that they did.The theme also relies on the plot of the story to remain vague and only having the crucial events written about. If more detail was given to the events that occurred then again, the theme would be affected and given less of a hazy aspect to the reader. Finally, the plot is a unified plot as the entire story is told within a single day or in the case of â€Å"The Story of an Hour†, within an hour. An episodic plot stretches over days or weeks and is connected by transitional devices (Guy;an 14) and seeing this Tory does not have that characteristic, does not fall under that category.The dramatic structure of the story rises and falls only once and is combined with the climax of the story. The raising occurs within the sentence â€Å"Her fancy was running riot along those days ahead of her† (Chopin 81) and falls when the story is finalized with â€Å"she had died of heart disease-of Joy that kills† (Chopin 82). Th e story does not have moments of crisis, as the entire tale is a â€Å"Moment of crisis† from beginning to end. The plot relates to the characterizations and theme as there are no real leasebacks or foreshadowing.The use of flashbacks would affect the character development as we would have further knowledge of each character, thus resulting in â€Å"round† characters. The use of foreshadowing would result in a glimpse of the future and the motivations of each character which in turn would affect the moral or theme of the story. Throughout the entire work Chopin uses each literary device to perfection. If she had changed any parts of her characterization it would be confusing as to why such care was taken into character development and such vagueness was portrayed in the theme and plot.

Charges Against The King Of Bohemia And Sherlock Holmes

Charges against the King of Bohemia and Sherlock Holmes In â€Å"A Scandal in Bohemia† by Arthur Conan Doyle, Irene Adler, a strong and intelligent actress, accuses Sherlock Holmes and The King of Bohemia with serious charges. Sherlock Holmes is a man who loathes being a part of society and keeps to himself. He is a well known detective with intelligent skills to solve the impossible cases.The King of Bohemia is Holmes client, and former lover of Irene Adler. In an attempt to recover a photograph, which is crucial to The King of Bohemia’s reputation, Sherlock Holmes as well as him are both charged with stalking and attempted robbery. In addition to this, as the London law enforcement officer, I would also deduce charges of possession and the†¦show more content†¦Ã¢â‚¬Å"Five attempts have been made. Twice burglars in my pay ransacked her house† (16). This proves that The King of Bohemia is guilty of conspiracy for the remuneration of a crime. He is an associate with the perpetrators he hired in this illegal act ion. In addition to this, The King of Bohemia is also culpability to stalking Irene Adler. Stalking is defined as an act when one repeatedly follows and harasses another. Evidently, The King of Bohemia stalks Irene Adler because he knew all of her whereabouts, â€Å"Is Briony Lodge, Serpentine Avenue, St. John’s Wood† (17). Yet once again, The King of Bohemia does not directly take part in this felony. However, he contracts men to pursue Irene Adler s every move, in order to detect the proper time to take action.â€Å"Once we diverted her luggage when she travelled. Twice she has been waylaid,† states the King of Bohemia (17). This verifies the men’s attempt, associated with The King, to extract her luggage while pursuing her on her travels in hope of determining the photographs location. As a result of the men failing to retrieve the photograph, he turned to Sherlock Holmes, who was one of the best detectives known. Sherlock Holmes is a well-known detective, deeply in which royalty has asked for his assistance in retrieving a photograph from Irene Adler. He is known for the excellence use of skills in solving crimes, of astute logical reasoning and of disguise. Holmes work has consistently involved